Publishing Design Task 1 - Exercises
Publishing Design - Section 02
Insha Thahirah Rajab - 0360671
Bachelor's Degree in Creative Media (Honors) - Taylors University
Task 1 - Exercises
*
CONTENTS
Exercises
*
LECTURES
Lecture playlist:
https://www.youtube.com/playlist?list=PLZk01iRkmnlVoh5JiLUcvAl4bitcW4xB2
Week 1
Formats (1)
This semester, the main publication that is focused on is the
Book, due to its historical significance. Other forms of
publishing include: Magazine, Newspaper, Catalogues etc.
The Book
- Typography
- Layouts
- Sense of Space
- Eye for Details
- Good Publishing Software
- Size (of reader, ie: Child, Adult etc)/ Age Group
- Type of Binding
- Type of Paper (ie: Thickness)
- Type/ Amount of Content
Historical Formats
- Iran-Iraq = Mesopotamian civilization
- India-Pakistan-Afghanistan = Indus Valley civilization
- Egypt = Ancient Egyptian civilization
- China = Han Chinese civilization
- Europe (Turkey & beyond ) = European civilization
Week 2
History of Print (2)
https://www.youtube.com/watch?v=sfbaIbhUHJM&list=PLZk01iRkmnlVoh5JiLUcvAl4bitcW4xB2&index=2
This lecture focuses on the history of print, mainly because
of the evolution we have withstood to come this far.
Korea & Japan
First Printed book
Chinese Publishing
Movable Type
Type Foundry in Korea
Saints and Playing Cards
Gutenberg & Western Printing
The world's largest book
Week 3
Typo Redux (3)
https://www.youtube.com/watch?v=BEU90MvI-gs&list=PLZk01iRkmnlVoh5JiLUcvAl4bitcW4xB2&index=3&t=188s
- Hyphens: Used to divide words or numbers, break words from one line to the next.
- Dashes: Em-Dashes: Longer than hyphens, used to separate ranges of items.
- Em-Dashes: Longer than Em-dashes. Should not be overused.
*
INSTRUCTIONS
*
EXERCISES
EXERCISE 1 - Signature Folding systems
![]()
|
|
|
|
|
Figure 2.2 Signature Folding System (GIF), Week
2(29/05/2026)
|
EXERCISE 2 - Text Formatting
EXERCISE 3 - Van De Graff & Classical Grid Structure
EXERCISE 4 - Mock-up Making
EXERCISE 5 - Determining Grids
*
FEEDBACK
Week 1
Specific Feedback: -
General Feedback: Make sure to write 3000 words
by next class, you can use Ai or come up with a topic that is
close to you. Try to make your book mockup at home. Think
about what you want your 16 visuals to look like, they need to
be stunning, and keep readers hooked to your work. Do not use
literal artworks/ illustrations, go for a more observational
approach. Try to play around with different layouts, but make
sure its consistent and makes sense. Also, brush up on what we
learnt in typography and make sure to apply these concepts.
Specific Feedback: -
General Feedback: Make sure to write 3000 words by next class, you can use Ai or come up with a topic that is close to you. Try to make your book mockup at home. Think about what you want your 16 visuals to look like, they need to be stunning, and keep readers hooked to your work. Do not use literal artworks/ illustrations, go for a more observational approach. Try to play around with different layouts, but make sure its consistent and makes sense. Also, brush up on what we learnt in typography and make sure to apply these concepts.
Week 2
Specific Feedback: The number of characters per line can vary from 45-65
depending on what is required. Use left justification instead
of full justification, so your lines can feel clean and
justified.
General Feedback: Identify visual references if you
have not already done so. Create your visuals (3-5). To create
good visuals you must have many trial runs before being able to
achieve good quality visuals. It is not easy. Work early, do
many, get a hang of it, then finalize and create. Complete
lecture 2. Go to your preferences and ensure your kerning is set
at 5. Ensures your visuals are not literal but includes
conceptualization in a broader way. Come up with mood boards for
visuals, typography, layout, colour palette etc.
Week 3
Specific Feedback: You need to finish your mock-up, the sizing is good, just
add the rest of the pages and gently cut with a blade for
the edges. Afterwards, finalize a type and font pairings you
wish to use, use a generator online if it helps. For your
visuals, look at your strongest piece and develop it
further. Create a colour palette to help guide your visual
direction. Play around with grids. Try to finalize a
direction for your book, and its layout/ grids. Narrow down
your visual references based on the visual you already
created, and stick to a more specific approach that makes
sense to your topic. I think you need to experiment more and
decide on your draft. Look at European, German, Swiss style
layouts if you're interested in something more
experimental.
General Feedback: Figure out your layout
references. Don't just look at them, study them, and play
around with your own layouts and grid alongside deciding your
type and visuals. This is key for task 3. Also, if you guys
want to implement a more experimental typography, make sure to
use it in balance with the body text, which shouldn't be too
experimental, as your book needs to be readable. You can use
these for pull-quotes, or for headings instead.
Specific Feedback: You need to finish your mock-up, the sizing is good, just add the rest of the pages and gently cut with a blade for the edges. Afterwards, finalize a type and font pairings you wish to use, use a generator online if it helps. For your visuals, look at your strongest piece and develop it further. Create a colour palette to help guide your visual direction. Play around with grids. Try to finalize a direction for your book, and its layout/ grids. Narrow down your visual references based on the visual you already created, and stick to a more specific approach that makes sense to your topic. I think you need to experiment more and decide on your draft. Look at European, German, Swiss style layouts if you're interested in something more experimental.
General Feedback: Figure out your layout references. Don't just look at them, study them, and play around with your own layouts and grid alongside deciding your type and visuals. This is key for task 3. Also, if you guys want to implement a more experimental typography, make sure to use it in balance with the body text, which shouldn't be too experimental, as your book needs to be readable. You can use these for pull-quotes, or for headings instead.
*
REFLECTION
Experience: Task 1 exercises was a challenging task. I struggle with perfectionism, and was weak with handling paper and other physical crafts so I redid many mockups and many folding styles before the final product. Through classes, I was able to gather a lot of feedback when it came to my layouts and text formatting. I found this helpful in building my confidence in my work. The folding and Van De Graff exercises were the most enjoyable, as they were done in class with support and guidance, however, the text formatting, content generation, mock-up making and layout formatting (text, styles, etc.) proved to be the most tedious and time-consuming tasks, as I had to trust a lot of my own judgement and self-teach. These dragged on until the end of week 3, as revisions were constantly made.
Observations: While interacting with peers, I was able to get through the folding exercise, and understand the mechanics of book-making, as well as numbering pages. Looking through my classmate's mock-up book, I was able to understand the process of creating my own, measuring, folding and cutting. Going through past pupils e-portfolios also helped, and I observed the way in which not only to do my own work, but how to document this.
Findings: Through YouTube, I discovered mockup making and paper handing, font selections, and ways in which layouts can be made. All these sharpened my skills and made me more introspective when doing each task. Further, reading many articles and researching font pairings, different grid systems and layouts additionally aided me as a rough guide on how to start, making the process much less overwhelming.






























Comments
Post a Comment